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Woodcarving
Magic Softcover Published by Fox Chapel Publishing Co. Inc., East Petersburg PA USA R.R.P.$25.90 ISBN 978-1-56523-523-6
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As reviewed in The Australian Woodworker Issue 162 One of this reviewer's earliest memories is of two wood carvings that sat on a cabinet in grandma's bedroom. Shaped like little towers, they had wooden balls held captive inside cavities along their length. Everyone marvelled at them, trying to see a crack, a mark, anything that would prove that the balls were introduced to their cages, for surely, surely, they could not have been carved there. How much more would they have marvelled, had they been able to see the work of Bjarne Jespersen. Where those old carvings might have seemed unlikely, the convoluted shapes of Jespersen’s carvings seem absolutely incredible. The piece shown on the cover of his book is representative of the projects for which Jespersen gives instruction, but it is by no means the most complicated. Despite the title of the book, there is nothing magical about the work, though it seems so, for all these wondrous pieces are carved from a single block of wood. Early in the book, there are clues as to how these remarkable pieces were developed, The author confesses to an adolescent interest in solid geometry and a life long interest in what he terms 'recreational mathematics'. These are unquestionably important attributes for anyone wishing to design something like the Inverted Great Tetraknot. Fortunately, the same background is not required of the reader. At the beginning of Chapter 4, the author writes: 'Plenty of the projects in this book can be carved by following the drawings and instructions.' One might imagine that this will be enough for many readers, but Jespersen appears keen to recruit others to his level of the discipline, providing guidance in building mock-ups and prototypes for use in the development of new projects. The author carefully explains his tools and methods, discusses the preparation of a blank and drawing the necessary lines to guide the carving. If you don't know what a Cubotetrahedron or a Dodecahedron is, it doesn't matter, since the diagrams and descriptions are quite explicit. The chapter on Getting Started begins very simply with the carving of a couple of rings. Despite the simplicity of the techniques learned here, they can be put to immediate use making a charming alternative - entwined Lover's Hearts. The natural progression from these exercises is the carving of a chain and from there, to the carving of flat rings. By Chapter 8, the discussion has turned to Cages and it no longer seems so very far to the intricate, intertwined rings that earn titles such Hosohedral Hexalink. Despite the long names and the strong mathematical basis for the pieces, this is a practical book aimed at helping students to do their own woodcarving magic. Photos: Colour Contents About
this Book Chapter 1 - Traditions Chapter
2 - Wood Chapter
3 - Tools and Methods Chapter
4 - Mock-ups and Prototypes Chapter
5 - Preparing Blanks to Carve Chapter
6 - Getting Started Chapter
7 - Flat Rings Chapter
8 - Cages Chapter
9 - Twisted Rings Chapter
10 - Knotted Rings Chapter
11 - Creative Geometry For
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